But if you're happy just to be told an entertaining story in a realistic depiction of contemporary London, with a little spooky magic sprinkled in, there's a lot here to love. If you're expecting an interactive, malleable narrative that your actions impact on, you'll be disappointed. The single-player adventure story focuses on dialogue choices and navigates a narrative built around three distinct. But everything else-the engaging plot, the stylish presentation, the natural-sounding voice acting, the snappy direction, the sublime orchestral score-are all superb. Last Stop, the new game from publisher Annapurna Interactive, is one such game. It's really basic stuff, even compared to early Telltale games, where you at least got the chance to snuffle around the environments for extra flavour.
Last Stop is one of the least satisfying narrative games I've played in terms of the mechanics underpinning everything. This makes the world feel disappointingly static, despite being rich with keenly observed details that will be particularly familiar to anyone who's ever lived in the UK.
LAST STOP GAME FULL
Jack's bedroom is full of stuff I want to read and pick up, but all I can do is walk dutifully to the next scene trigger.
The convincingly lived-in, cluttered environments look great, but you never get a chance to explore them to dig out more details about the story or characters. You play three separate plotlines with three different characters gonna Jon and the main donna the youngest one is a rebellious teenager that feels trapped by her home life and her overprotective big sister she seeks thrills on the streets with her friends by roaming around and playing games of amateur detectives.
There's no tactile feeling to the interactions, whether you're tapping the bumpers to sprint or rotating a stick to stir a mug of tea. The QTE-style interactions feel clumsily bolted on, and I never got the sense that I was actually controlling the characters-just triggering the next canned animation.
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